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Yisrael Robert John Aumann
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The Ashmolean Museum opens6.6.1683

Wikipedia (24 May 2013, 13:57)
The Ashmolean Museum (in full the Ashmolean Museum of Art and Archaeology) on Beaumont Street, Oxford, England, is the world's first university museum. Its first building was built in 1678–1683 to house the cabinet of curiosities Elias Ashmole gave Oxford University in 1677. The museum reopened in 2009 after a major redevelopment. In November 2011 new galleries focusing on Egypt and Nubia were also unveiled.


History

The collection includes that of Elias Ashmole which he had collected himself, including objects he had acquired from the gardeners, travellers and collectors John Tradescant the elder and his son of the same name. The collection included antique coins, books, engravings, geological specimens, and zoological specimens—one of which was the stuffed body of the last dodo ever seen in Europe; but by 1755 the stuffed dodo was so moth-eaten that it was destroyed, except for its head and one claw. The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The first building, which became known as the Old Ashmolean, is sometimes attributed to Sir Christopher Wren or Thomas Wood.

After the various specimens had been moved into new museums, the "Old Ashmolean" building on Broad Street was used as office space for the Oxford English Dictionary. Since 1924, the building has been established as the Museum of the History of Science, with exhibitions including the scientific instruments given to Oxford University by Lewis Evans (1853–1930), amongst them the world's largest collection of astrolabes.

The present building dates from 1841-45. It was designed by Charles Cockerell in a classical style and stands on Beaumont Street. One wing of the building is occupied by the Taylor Institution, the modern languages faculty of the university, standing on the corner of Beaumont Street and St Giles' Street. This building dates from 1845–48 and was also designed by Charles Cockerell, using the Ionic order of Greek architecture. The main museum contains huge collections of archaeological specimens and fine art. It has one of the best collections of Pre-Raphaelite paintings, majolica pottery and English silver. The archaeology department includes the bequest of Arthur Evans and so has an excellent collection of Greek and Minoan pottery. The department also has an extensive collection of antiquities from Ancient Egypt and the Sudan, and the museum hosts the Griffith Institute for the advancement of Egyptology. Charles Buller Heberden left £1,000 to the University, which was used for the Coin Room at the museum.

In 2013 the museum was left a 500 piece collection of gold and silver objets d'art, including many pieces of Renaissance silverware, assembled by the antique dealer Michael Welby. The bequest will be displayed in a new gallery.


Theft

On 31 December 1999, during the fireworks that accompanied the celebration of the millennium, thieves used scaffolding on an adjoining building to climb onto the roof of the Ashmolean Museum stealing Cézanne’s landscape painting View of Auvers-sur-Oise. Valued at £3 million, the painting has been described as an important work illustrating the transition from early to mature Cézanne painting. As the thieves ignored other works in the same room and it has not been offered for sale, it is speculated that this was a case of an artwork stolen to order.


Renovation

The interior of the Ashmolean has been extensively modernised in recent years and now includes a restaurant and large gift shop.

Between 2006 and 2009, the museum was expanded to the designs of architect Rick Mather and the exhibition design company Metaphor, supported by the Heritage Lottery Fund. The rebuilding resulted in five floors instead of three, with a doubling of the display space as well as new conservation studios and an education centre. The renovated museum re-opened on 7 November 2009.

On 26 November 2011, the Ashmolean opened to the public the new galleries of Ancient Egypt and Nubia. This second phase of major redevelopment now allows the Museum to exhibit objects that have been in storage for decades, more than doubling the number of coffins and mummies on display. The project received lead support from Lord Sainsbury’s Linbury Trust, along with the Selz Foundation, Mr Christian Levett, as well as other trusts, foundations and individuals. Rick Mather Architects led the redesign and display of the four previous Egypt galleries and the extension to the restored Ruskin Gallery, previously occupied by the Museum Shop.

The Sackler Library, incorporating the older library collections of the Ashmolean, opened in 2001 and has allowed an expansion of the book collection, which concentrates on classical civilization, archaeology and art history.

In 2000 the Chinese Picture Gallery, designed by van Heyningen and Haward Architects, opened at the entrance of the Ashmolean and is partly integrated into the structure. The gallery was inserted into a lightwell in the Grade 1 listed building, and was designed to support future construction from its roof. Apart from the original Cockerell spaces, this gallery was the only part of the museum retained in the rebuilding. It houses the Ashmolean’s own collection, but is also used from time to time for the display of loan exhibitions and works by contemporary Chinese artists. It is the only museum gallery in Britain devoted to Chinese paintings.

   
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